Automare

by Papiro

/
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  • Automare (12")
    Record/Vinyl + Digital Album

    From the city that brought you LSD comes a new album by Marco Papiro, a Swiss-Italian musician and graphic designer who has gained some notoriety with his album covers for the likes of Panda Bear and Sun Araw. "Automare" is Papiro's seventh solo album, recorded on 4-track cassette, on hard-disk, in public and in private, entirely self-produced and now released on Nikolaienko's Muscut label.

    The five hauntingly evocative tracks offer a variety of atmospheres from surreal to arcane, from celestial to subaqueous. Synthetic sounds (some mature EMS, Moog and Roland) are combined with other assorted instruments (organ, shehnai, electric guitar and bass,) and emulsified through various time-and-space-bending devices. There are no percussions, with one surprisingly groovy exception, in which a drum machine is being generously treated with phaser and envelope filters – think of early Cabaret Voltaire with a North Saharan touch.

    Papiro's handcrafted artificial vocals are anything but human, but all the more compelling: out of the fluorescent Plankton of the side-long opening track "Rhenus Rebus" rises a siren's voice, reminiscent of Alide Maria Salvetta in Battiato's "Campane", joined in a final mantra by an oboe borrowed from an inebriated Third Ear Band. Entering a chimeric karaoke bar, the title track "Automare" makes the album even more bizarre by introducing a distinctive pop feel. Back to the abstract world, the following "Polmonella" – a live recording with additional musicians Anthony Glass (aka Antenna Tony Monorail) and Markus Stähli (of Roy & the Devil's Motorcycle) – is a fevery exploration of cosmic territories in the manner of Harmonia, while the alien articulation of "Incom" sounds unlike anything else ever recorded.

    Tracklist
    A
    Rhenus Rebus

    B
    Automare
    Polmonella*
    Incom
    Latana Supurea

    Credits
    Performed by Marco Papiro with*
    Anthony Glass: Casio Vibes
    Markus Stähli: Q-Chord
    Mastered by Alex Buess

    Includes unlimited streaming of Automare via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Rhenus Rebus 19:30
2.
Automare 03:52
3.
Polmonella 03:30
4.
Incom 05:22
5.

about

Preview listening:
soundcloud.com/muscut/papiro-automare-12-2017-excerpts?in=muscut/sets/papiro-automare-12-2017

From the city that brought you LSD comes a new album by Marco Papiro, a Swiss-Italian musician and graphic designer who has gained some notoriety with his album covers for the likes of Panda Bear and Sun Araw. "Automare" is Papiro's seventh solo album, recorded on 4-track cassette, on hard-disk, in public and in private, entirely self-produced and now released on Nikolaienko's Muscut label.

The five hauntingly evocative tracks offer a variety of atmospheres from surreal to arcane, from celestial to subaqueous. Synthetic sounds (some mature EMS, Moog and Roland) are combined with other assorted instruments (organ, shehnai, electric guitar and bass,) and emulsified through various time-and-space-bending devices. There are no percussions, with one surprisingly groovy exception, in which a drum machine is being generously treated with phaser and envelope filters – think of early Cabaret Voltaire with a North Saharan touch.

Papiro's handcrafted artificial vocals are anything but human, but all the more compelling: out of the fluorescent Plankton of the side-long opening track "Rhenus Rebus" rises a siren's voice, reminiscent of Alide Maria Salvetta in Battiato's "Campane", joined in a final mantra by an oboe borrowed from an inebriated Third Ear Band. Entering a chimeric karaoke bar, the title track "Automare" makes the album even more bizarre by introducing a distinctive pop feel. Back to the abstract world, the following "Polmonella" – a live recording with additional musicians Anthony Glass (aka Antenna Tony Monorail) and Markus Stähli (of Roy & the Devil's Motorcycle) – is a fevery exploration of cosmic territories in the manner of Harmonia, while the alien articulation of "Incom" sounds unlike anything else ever recorded.

Tracklist
A
Rhenus Rebus

B
Automare
Polmonella*
Incom
Latana Supurea

credits

released August 18, 2017

Performed by Marco Papiro with*
Anthony Glass: Casio Vibes
Markus Stähli: Q-Chord
Mastered by Alex Buess

license

all rights reserved

tags

about

Muscut

Est. 2012
Muscút (Ukr. Мускáт) — etymologically is a syllabic abbreviation of two words: Music and Cutting.
Record label focusing on pseudo and practical audio archaeology.
Sub-label: Shukai
Distribution: newsdistribution@newsnv.be
Booking: info@muscut.org
DEMOS are not welcome at the moment



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